We have learned a lot about book production, and while the Risograph seemed like the perfect tool to bring the books and self-publishing together, it has come with many technical difficulties. Hyperallergic is a forum for serious, playful, and radical thinking about art in … A tale masterfully told by a superb historian with a primary experience of these people and times." But when he was a medical student and doctor, his politics began to change, and soon he was providing covert care to members of revolutionary groups like the Weather Underground and becoming increasingly radicalized by his experiences at the Wounded Knee takeover, at the Attica Prison uprising, and at health clinics for the poor. M: What were your expectations for the press over the past year? While we continue to have engagement and support for the project, we’ve had a decrease in sales over the last couple of months. We’re always learning and we hope to continue growing for many years to come. A year later, after many crazy nights begging the Riso to stop jamming and to actually print, we’ve learned a lot about printing processes, budget making, paper purchasing, collating and binding methods. She is the author of Examining Tuskegee: The Infamous Syphilis Study and Its Legacy.

See details. --Alfredo Morabia, Editor-in-Chief of the American Journal of Public Health, "Susan Reverby has written a thoughtful and loving biography of her childhood friend Alan Berkman that forces us to move beyond the pervasive narratives of declension, and occasional hagiography, that too often shroud the history of the revolutionary New Left in the United States.
We quickly realised that there was a way to merge the skills and expertise of our programmers at WCCW with our own desire to make books.

This excellent biography of the revolutionary doctor provides a unique glimpse into the last half century of American radicalism." Co—Conspirator Press (@co_conspiratorpress) has 153 posts on their Instagram profile. Who says one design aesthetic is better than another? That’s easier said than done, but resources such as Femme Type are incredibly important for us to reference in order to find the right typographic selection. Co—Conspirator Press: The press was envisioned as an extension of what we were already doing at the Women’s Center for Creative Work: to create and distribute feminist content, and to serve as a platform for artists and creatives. In honour of the one-year anniversary of the launch of the press, MJ Balvanera and Demi Corso—the creative and organizational forces behind the WCCW—discuss the history, mission, and future of their organisation. At the same time, we’re incredibly fortunate to collaborate with amazing authors, who are always open to new ideas and prioritize design as much as content. Ascentis | A New Typeface from Emily Jing Sum Chan, “Expressionist Type Design” | Glyph World, WEDZICKA | Order In Chaos + Controlled Glitch, Kristle Marshall on Poignant Design And Perspectives On Creativity, Diode, the New Modular Geometric Type System from Natasha Lucas + MuirMcNeil, Preorder Campaign Launch of TYPEONE Magazine, the New Biannual Publication, Ceci Erlich on Type, Time and the Beauty of Motion, FEMME TYPE | A Book Celebrating Women in the Type Industry, Raising Money for Studio Safar | Beirut Sticker, Carla Zorrilla’s Juicy Lettering Experiments And Hypnotic Calligraphic Forms, Typesetting & Typography: An interview with Marta Puchala.

Not only do we share space with WCCW, our whole team also works for WCCW and we split our time with CO—CO Press. "In the 1970s, some people drifted into medicine as a career choice. We started collaborating with meenadchi, the author of Decolonizing Non-Violent Communication, which was a really fulfilling and exciting time, after which we knew we were onto something. Alan Berkman and Barbara Zeller saw themselves revolutionaries in the early 1970s.

Co-Conspirator Press. Privacy Statement. This domain has been configured for use by Persona.Connect it by adding it to your Settings in your Persona’s Admin panel. Thanks to Susan Reverby for bringing it to life." Page, The Office of Scholarly Publishing Services (OSPS). We use cookies to ensure that we give you the best experience on our website. A year later we’ve printed and sold roughly 3,500 copies, and this book has largely given us the opportunity to continue publishing more books. Through WCCW we have access to mentorship, support, community and care, which is probably the biggest instigator for all this. The content always informs the design, from colour choices to the types of illustrations we choose, to paper colour and thickness which reinforces the function of the books.

It’s been hard at times continuing to use the Riso but we’re really motivated to keep the effort going.

We strongly believe that artists, editors, designers and printers of colour, and other marginalized communities, benefit from the production, distribution and publication of our books. This incredible story of a revolutionary "co-conspirator" traces Berkman's radical activism through his incarceration as a political prisoner in the Reagan era and his subsequent rebirth as a leader of the global AIDS movement.

It’s been a huge learning curve, one that we wouldn’t be able to take on without the continuous support of our community. What to Listen to This Week. Co-Conspirator Press is a self-publishing space that amplifies intersectional feminist voices by creating, designing, distributing, and producing feminist content. I argued with people like Alan, but never really understood them until I read Susan Reverby's powerful and compassionate biography." He was eventually captured and served eight years in some of America's worst penitentiaries, barely surviving two rounds of cancer. We use our voice to address intersectional feminist issues and challenge cis-hetero-patriarchy; white-supremacy; and exclusionary, colonial, capitalist, and ableist systems.


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